Hello Grace, I’m so glad and excited you actually accepted
to answer my questions. I really enjoyed and loved deeply your novels. Master
of Crows was my first and I was stunned by your work, your imagination and
style. I’ve never read such a book, I was actually mesmerised. It was a
challenge for me english wise, but I was very proud of myself when I reached
the end and understand the entire story!!
So….I guess it’s time to start our conversation!!!
Ladies, today is my pleasure to introduce to you Grace Draven,
an amazing writer and the author of Master of Crows, the book of hers we talk
about in this interview. Grace, do you like to present yourself for italian
readers that still don’t know you?
Hi, everyone! First, I want to thank Federica for letting me
take the stage and talk a little about
myself and my books. Hopefully, I
won’t bore you with my answers.
I’m Grace Draven. I’m married, with 3 kids and a dog. I live in Houston, Texas where summer last
ten months out of the year, and winter can be counted in days instead of
months.
I’ve lived in Spain, honeymooned
in Scotland, ridden in competition rodeo and earned my undergraduate degree in
Russian Studies. I can speak and read
Spanish with some skill, can only ready Russian these days (not too many
Russian speakers to practice with here in Houston) and love to cook.
My great great paternal
grandfather was Jose Santos Zelaya, former president/dictator of
Nicaragua. My maternal grandmother was a
little Cajun woman born and raised in southern Louisiana whose mother tongue
was Cajun French and English her second language. Unfortunately, I don’t speak a word of
French, standard or Cajun.
I have a big family made up of
full brothers and sisters, half sisters, and stepbrothers and stepsisters. Holiday dinners are often loud, crowded,
boisterous affairs in which there are a few fights, a few leftovers and not a
drop of wine left in the house.
I’m very intrigued by the cover of this book. I read the
designer Louisa Gallie projected it. How did the process of creation start? Did
you two shared specific information or you already have an idea for it? I think
Silhara, the male character, is represented perfectly by it.
Louisa and I used a two-tiered
approach. She’s the artist, so I trusted
her to know what artistic elements would be most visually pleasing to the
reader. I approached it from a marketing
standpoint—what would capture a brower’s interest in less than three seconds
and move the product fastest. So the two
of us had to meet in the middle somewhere.
Romance novels are often
“branded” by what’s known as the clinch pose (man and woman embracing). There are variations of the clinch pose and
several degrees of nudity shown, depending on whether or not you’re writing a
romance with no or only a few intimate scenes or if you’re writing something
racier, such as an erotic romance.
Because I was writing a fantasy
romance, Louisa had to either include fantasy elements or an overall fantasy
“feel” to her illustration. She did a
brilliant job by putting in the stylistic element of crows flying out of the
male character’s hair and giving the background a very ethereal look. She also kept the cover from being too static
by making the bright red cloak splash against a backdrop of browns, grays and
blues as well as to make the hair and cloak look caught in the wind. Movement in an illustration is very
important.
Her idea of having the male
character cup the back of the female character’s head, and have her hand
threading his hair through her fingers was beautifully inspired and really
captured the romantic element of the story.
Magic. The principal element of your books. Where do you
find inspiration of it? I mean names of places or the plot itself, which is
rich of magical details. I noticed you loved magical and gothic stuff, what
does it mean in your life?
I used to be a very avid
Dungeons and Dragons player when I was in college and learned a lot about magic
and the rules for using it from my brother who was often our dungeon
master. It’s why I follow the philosophy
that magic isn’t free. There’s always a
cost in energy or strength.
As for the inspiration part—I
get inspiration from everyday life and from doing a lot of
people-watching. Our world is saturated
with magic; you just have to know how to look for it. :)
How does the Master of Crows’s story formed in your
head?
It’s the only story I’ve written
that blossomed in my head one night, fully formed and plotted. I knew Silhara inside and out before I wrote
down the first word of his characterization, and the world was vivid and living
in my mind’s eye. Martise took a little
more time, and the plot had a few tweaks as I wrote the book, but the story
itself was almost completely fleshed out in my head by the time I sat down to
write it. I haven’t had such a gift with
a book since then.
What do oranges mean to Silhara? and why does he eat them if
he can’t stand the taste? I hope not to spoil anything but it’s something I
have still doubts of comprehension.
This will be spoiler for any who
haven’t read MoC yet. As a child,
Silhara stole an orange and was almost executed for it via public
strangulation. Since then, the orange
represents the most horrific experience of his life. With that kind of emotional association, he
finds the taste of oranges revolting.
However, they also represent a challenge to him. He feels if he eats them, despite how badly
they taste to him, that terrible memory will not have a hold on him, and one
day he can release it altogether if he actually grows to like the taste of
oranges.
I read about your intention of writing a sequel...wow, I
can’t believe it!!! Can you tell us something about it please?
The sequel is slated to be a
short story, but I’m actually much better at writing longer novella-length or
novel-length works, so it may well end up being a full novel-length tale by the
time I’m done. :) It’s titled THE BRUSH OF BLACK WINGS and
starts with a kidnapping.
I don’t want to reveal too much
as it’s still a work in progress, but Silhara and Martise are the major
players, and the villain of this story will appear in a later work.
Your writing style is amazing and very different from
commercial novels. How did it developed during your writing career ?
Mostly just practice and trying
to find my voice. Every author has a
unique signature voice that may have similarities to other authors, but the
nuances are different based on how the author hears and sees the story in their
head. Even though I’ve never read any of
her work, my style is often compared to the fantasy and urban fantasy writer
Patricia Briggs.
What really amaze me, among other things, are your
descriptions. They are so rich of details, I get the impression to see the
places and people you write about. How does it work? I mean, is it all in your
head or do you follow a picture?
Mostly in my head. I’m what is called an auditory learner. Sounds, more than pictures, fire off ideas
and images for me. While I don’t listen
to music while I write, I do listen to it before I sit down to write. It helps me create and solidify images and
scenes in my head.
I really love how you portrait women in your books, love
stories are not conventional or, we could say commercial : male characters fall
in love with women not only because of exterior features but for inner
qualities and merits of temper. Can you tell something about Silhara and
Martise unique love story ?
I usually operate on the idea
that physical beauty fades with time. So
to give my characters a happily ever after that I find convincing, I need them
to fall in love with each other’s personality and intelligence. If you start with that premise, then the
person whose character you fell in love with grows more beautiful with
familiarty.
How much is it difficult to be an indie author in the U.S.A.
nowadays?
It’s actually quite easy, in my
opinion. I do have to act as both
publisher and author, but what tasks I can’t learn and do on my own, I can
outsource to someone else for what’s usually a flat, reasonable fee—such as
editorial and cover art. The best thing
is I retain my distribution rights—a very important aspect of the publishing
process these days.
Social networks, book signing events, are you social with
your fans? Are you comfortable in receiving such warm affections ?
I think I’m very social with readers
and enjoy interacting with them. It’s a compliment to me that they’re
interested not only in my books but in me as a person (though I’m quite boring
frankly). I’m not bothered by large
crowds, heavy social interaction or even public speaking. I can do all three without a problem. After talking to fellow authors who are often
terrified of one, two or all three of those things, I realize I’m very lucky in
that regard.
Can you tell us something about your decision to be a
writer? how did everything begin ?
I’ve been writing fiction since
2003 when I took up fanfiction writing as a hobby and a way to decompress from
a high-stress job in financial reporting and the challenges of motherhood. At the time I started writing, I had two
little kids, both under the age of four and was pregnant with my third
child. Writing was something I enjoyed
when the house was quiet and I had a few minutes to myself.
I’ve always loved the
antihero/bad boy of fiction; I also love romance and fantasy and have read both
genres since I was twelve years old. As
such, my first fanfictions were in the fantasy universes of Harry Potter and
Lord of the Rings. I branched into
Labyrinth after that. I gave romantic
lead parts to Severus Snape, Grima Wormtongue and Jareth the Goblin King. All great fun, and writing fanfiction gave me
the practice I needed to attempt original fiction.
I entered and won a contest
presented by the publisher Amber Quill Press in 2005. My entry was a twelve-thousand word fantasy
romance titled The King of Hel. It was
the first book to start me on the road to publishing fantasy romance. I started drafting the first few chapters of
Master of Crows later that same year.
Is it correct to label your books as fantasy romance? I
always feel some medieval vibe…is there some historical feature?
I would definitely label them
fantasy romance. I use a medieval-esque
foundation for my stories because they inevitable take place in a
pre-industrial society.
Will ever be possible to see you publishing some contemporary
story in a contemporary contest?
I haven’t entered any contests
since the first one that got me published.
I do have a short story contemporary currently out on Amazon titled
REMEMBER WHEN. I published it under the
pen name Annabeth DenBoer. I also have a
contemporary novella titled COURTING BATHSHEBA.
That one is currently contracted with my old publisher Amber Quill
Press. It’s not available on Amazon but
can be found on the Amber Quill website at:
http://www.amberquill.com/store/p/529-Courting-Bathsheba.aspx
Thank you so much for giving me your free time, it’s such an
honor!!!
It was my pleasure! Thanks for interviewing me!
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